Ex 2.2 EYV

Ex 2.2 EYV - Pete Walker Photography

“Select your longest focal length and compose a portrait shot fairly tightly within the frame in front of a background with depth. Take one photograph. Then walk towards your subject while zooming out to your shortest focal length. Take care to frame the subject in precisely the same way in the viewfinder and take a […]

Ex 2.1 EYV

Ex 2.1 EYV - Pete Walker Photography

Exercise 2.1 “Find a scene that has depth. From a fixed position, take a sequence of five or six shots at different focal lengths without changing your viewpoint. (You might like to use the specific focal lengths indicated on the lens barrel.)” The following shots were taken to illustrate how changing focal length of a […]

Ex 1.3 EYV

Ex 1.3 EYV - Pete Walker Photography

Line Take a number of shots using lines to create a sense of depth. Shooting with a wide-angle lens (zooming out) strengthens a diagonal line by giving it more length within the frame. The effect is dramatically accentuated if you choose a viewpoint close to the line. I have used the top of the railing […]

Ex 1.2 EYV

Ex 1.2 EYV - Pete Walker Photography

Exercise 1.2 Point There are essentially three classes of position [to place a single point]: in the middle, a little off-centre, and close to the edge. Take two or three photographs in which a single point is placed in different parts of the frame. (A ‘point’ should be small in relationship to the frame; if […]

Ex 1.1 EYV

Ex 1.1 EYV - Pete Walker Photography

Exercise 1.1 Take three or four exposures of the same scene. Don’t change anything on the camera and keep the framing the same. Preview the shots on the LCD screen. At first glance they look the same, but are they? Perhaps a leaf moved with the wind, the light changed subtly, or the framing changed […]